Lunar Mine, screen print on Omnia White paper, 50 x 100 cm, 2022

By reimagining industrial scenes through printed and tactile works, I employ concepts of ‘fictioning’, a term used to describe experimental practices regarding a world that does not yet exist, to explore how satellite imagery projects human activity on the Earth’s surface. This investigation is fuelled by advancing imaging technologies and online map data to challenge how shifting visual perceptions of the land alters processes of land use on current and future sites of exploitation.

Lunar Mine Split-Screen, screen print on Omnia White paper, 50 x 100 cm, 2022

Haptic Lunar Landscapes, Digital Prints on Hahnemuhle photo paper, 50 x 100 cm, 2022

Crater Mine, photoetch on Somerset paper, 20 x 20 cm, 2022